Thursday, October 15, 2009

a little more time to see our first show, then Jessie Bowie !!!



Remember that Brought To You By runs through the end of October. We have gallery hours on Saturdays from noon to 4 pm. So please stop by and THANKS to those folks who have taken advantage of the Saturday hours; it makes our time spent in the gallery worth it!

More on this soon, but mark your calendars- U.turn will host one of several Halloween parties in or near the Brighton district. It will be potluck style and there will be an award for best costume. Other than that, expect candy, good company and a rocking playlist (that, per my current listening, could have a fair amount of Marlene Dietrich in it....). Our featured artist in November will be on site at the beginning of her week of installation, wall painting and preparations for the exhibition's grand opening.



Read on for info about November's show!



November 7—28th, 2009
Opening reception: Saturday, November 7th, 7:00 – 10:00 pm

U · turn is proud to present Don’t Be Scared Be Prepared, which features the work of Miami, Florida based artist Jessie Bowie. Bowie received her BFA from Ringling College and has recently participated in a residency in New York City. In her first solo exhibition in the Midwest, Bowie will be presenting a body of work comprised of both pen and ink drawings and site-specific wall paintings. The former are dense with detail and exude an impulsive, paranoid approach to the ideation and creative processes. Painting, in contrast, is a markedly populist activity as Bowie uses it. Her wall paintings call the training of her hand into question, instead celebrating a sloppiness that may be more conventional for hand painted signs than for traditional, high art techniques. Served together, her intricate drawings function as contained hypothetical realities in contrast to the maximalist aesthetics at work in her installations and site-specific wall works.

Bowie draws in absolute liberation. The defined, hatched mark making with which she realizes absurd or nightmarish scenarios are reminiscent of cartoon illustration or film storyboarding. Bowie is like a child who refuses to go into the ocean after seeing Jaws for the first time, and her artmaking reflects that worrisome outlook. Her drawings depict everyday folk located in the midst of critical plot twists and dénouements for narratives that Bowie has constructed only for the duration of the artwork; missing explanations for surrealistic elements in play and uncertain conclusions to these dramas confirm the works as mental flashes in a mind drunk off of pop cultural imagery and concerned about the implications of just about everything.




Jessie Bowie is a jester whose special talent is to look at our world’s past and present without actually looking at it, as if staring at a Gorgon’s reflection in a mirror, so as not to be turned to stone. Rather than confront her stimuli head on, Bowie is an experienced escapist who retreats into realms of astounding intricacy and unexpected, obscure metaphor. To call her work ‘gut wrenching’ is not to over-dramatize the point, but to identify a place of violent extremes that she frequently suggests. Sci-fi monsters, cowboys, and menageries of extinct behemoths, exotic zoo animals and frizzy house pets populate her dreamlike alternative dimensions. Beget by Surrealist Leonora Carrington’s penchant for suspense and ambiguity and Hieronymus Bosch’s fey wit and sense of action, Bowie represents a startlingly contemporary fantasy on the verge of a nervous breakdown. Tales left inchoate frame mysterious problems rather than presenting concrete solutions. When real world events, celebrities and global epidemics do make cameo appearances, they are jarring additions to the scenery. A bounty of associations and appropriations subvert singular readings, and our attempts to formulate such prove daunting. This exhibition is built from flagrant attempts and failures to cope by means both distracted and determined in a world out of control.



These are just some of the drawings Bowie is bringing for the exhibition and the reproductions do not do them justice. This will be a fun and entertaining exhibition with wonderful layers for consideration. Expect future posts from us as we continue to mull on Bowie's brilliance.
And if you want to look into a differen side of Bowie's creative process, visit her Etsy store where she has handsewn characters, accessories and what not available for sale.


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